Farwell Arthur. American Indian melodies, op. 11, for piano

New York: Schirmer 1914. — 33 p.Edited and arranged for the piano by Arthur Farwell.
Approach of the Thunder God, The Old Man’s Love Song, Song of the Deathless Voice, Ichibuzzhi, The Mother’s Wow, Inketunga’s Thunder Song, Song to the Spirit,
Song of the Leader, ChoralThe American composer Arthur Farwell (1872-1952) is remembered as the leading member of a group of 'Indianists' who used Native American tribal melodies. But Farwell's stylistic range was much wider than is realised today. The composer Arthur Farwell (1872–1952) is best remembered as a leading figure in the “Indianist” movement in American classical music (ca. 1890–1920). Certainly, Farwell held an important role as an advocate for Amerindian music in the early 20th century, given his ethnographic interest in Indigenous music and culture, his use of Amerindian music as source material in several of his own compositions, and his promotion of the genre via a series of cross-country lecture-recitals in the 1900s and his music publishing firm, the Wa-Wan Press.