Palgrave Macmillan, 2012. — 244 p. — (Global Cinema).
Introduction: Prismatic Media, Transnational Circuits
Refracted Visions: “Ethnic Cleansing” and the De-mythologization of Gender
Visual Currencies: Documenting India’s Red Light Districts
Discontinuous States: Palestinian and Israeli Border Imaginaries
Diffracted Mediations: The Framing of Gender in the “War on Terror”
Epilogue: The Political Exigency of the Oblique