Indiana University Press, 1995. — 384 р. — (Indiana-Michigan Series in Russian and East European Studies)
Russian Folk Art describes the traditions, styles, and functions of a broad range of objects made by Russian peasant artists for local use by specialized artisans for trade. Beginning with the settings in which artists traditionally worked— the peasant household, the village, and the local market— Alison Hilton discusses the principal media they employed (wood, textiles, birch bak, bone, metal, and ceramics) and the items they produced: kitchen utensils such as bowls, goblets, dippers, and molds; tools used in making clothing; lace, embroidered linens, costumes, and everyday clothing; toys; elaborate window frames and house decorations; colorful broadsides called lubki.
This remarkable survey emphasizes the cumulative originality inherent in Russian folk art. The balance between time-honored forms and techniques, and the creativity of individual artists. It show how pervasive images designs evolved from ancient Slavic sources, absorbed elements of church, court, and urban arts, reflected historical events and daily life, and helped to form a Russian esthetic identity in the nineteenth and twentieth centuries. Finally, it examines the complex interaction between folk art and high culture: the role of serf artists, the preservation and reinterpretation of folk arty by scholars and professional artists, and the new roles of folk art in the Soviet era.
The arts in peasant lifeTradition and Discovery
Village and Izba
Domestic Tasks and Tools
Specialization and Originality: Some Peasant Artists
Materials and formsWood and Carved Ornament
Painting on Wood
Textile Arts and Costume
Beyond the Village: Specialized Crafts and Urban Folk Art
Toys in All Media
Designs and their meaningsАmulet, Ornament, and Ritual
Transformation of the Slavic Legacy
Heraldic Beasts and Guardian Figures: The Evolution of Motifs
Scenes from Life and Forms from the Past
Preservation and revival of Russian folk artSerf Artists, Peasant Painters, and the Rise of Genre
National Art and Folk Art
Artistic Renewal
Folk Art and New Languages of Art
Reshaping Folk Art in the Soviet Era
Notes
Selected Bibliography